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SAMARA Furniture and Its Use


Overview
SAMARA Furniture and Its Use


Doug Wintin
The Architect Within

Wally Rogers
Dining Table and Chairs


John Christian
The Owner's View

Jerry Johnson
The Eclectic Mr. Wright

Ted and Lynn Osborn
Thoughts About FLLW
Furniture Designs


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SAMARA Education Series
Fall 1999 - The Owner's View
SAMARA Furniture and Its Use
   Introduction
   Complete Unity and Grammar
   Integrated Design
   Coordinated Features
   Natural Materials
   Versatility
   Oriental Quality
   Cantilever Principle
Spring 2000 - The Owner's View
SAMARA Furniture and Its Use
   Television Trays
   Dining Room Chairs
   Pole Lights
   Origami and Organic Chairs
   Bedside Tables
   Weed Holder

SAMARA Education Series Directory

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and suggestions to Wally Rogers


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SAMARA Education Series
Spring 2000

SAMARA Furniture and Its Use
In A Frank Lloyd Wright Designed Home

The Owner's View
John Christian




Dining Room Chairs

Few pieces of furniture are as closely associated with Frank Lloyd Wright as his tall-back dining room chairs.

They epitomize his ability to bring simplicity and rationality into American households. The first tall-back chairs appeared in Wright's own home in Oak Park, Illinois built in 1889. He continued to experiment with tall-back chairs all his life and although he liked to view each house as an unique commission, Wright sometimes recycled some of his favorite design ideas but always modifying them to fit the individual personalities of his clients.

Such is the case with the dining room chairs at SAMARA. A solid plank of Philippine mahogany rises from the floor and tapers toward the top. Five triangles representing the SAMARA motif with decreasing dimensions are placed in descending order and directed back toward a triangular chair support.

There are solid panels beneath the seat forming a shelf on each side and a structural rail surrounding the seat itself holding in place the foam rubber cushion. The chair is quite formal in design and stands out as magnificant and stately in its conception fitting in design to the personality of Mrs. Christian. In this regards, the dining room chairs reflect a simple straight-line architectural form created by Mr. Wright to coordinate features throughout the house and property.


The Owner's View
Fall 1999
Introduction | Complete Unity and Grammar | Integrated Design
Coordinated Features | Natural Materials
Versatility | Oriental Quality | Cantilever Principle

Spring 2000
Television Trays | Dining Room Chairs | Pole Lights
Origami and Organic Chairs | Bedside Tables | Weed Holder


SAMARA Furniture and Its Use
© 1999-2000 John E. Christian Family Memorial Trust
LEARNING ASSOCIATES
All rights reserved.
Created April 30, 2000
Latest Revision June 7, 2000