The construction of the dining chairs and table was under taken by Gary Carter, a local master craftsman and furniture maker. The dining furniture, unlike other wood furniture in the house, is made from solid Philippine mahogany instead of from veneer covered plywood.

The techniques used to construct the dining chairs require precision cuts accompanied by perfect matching of mitered and beveled edges of the various wood pieces. The wood for the back of the chair was first cut in half.

After cutting five different, but identically matching, angled cut-outs into each half of the wood back, the boards were laid side by side and glued back together to create the back of each chair.

The cut-outs, when lined-up side by side produce the classic abstraction of winged-seeds in motion, or SAMARA, the motif designed by Frank Lloyd Wright for the house and property.

The triangular-shaped support fin attached to the back of the chair was skillfully beveled to create an intricate combination of surfaces and angles sloping from the top of the fin to the floor. Everywhere the wood pieces of the seat come together, they are mitered to form smooth, uninterrupted lines of construction.

Under the wooden seat making up the base of the dining chair, twin compartments were constructed for storing items, such as pocket books, which ladies would likely bring with them to the dining table. Depending on the occasion, some ladies might remove their shoes and stow them in the cubbies too.

The carefully arranged wooden sections of the square-shaped seat and the single triangular support fin are held together at the back of the chair with dole rods concealed from view by the attached foam cushion.

The wooden pieces of the dining chairs are fitted together perfectly to create a solid, compact and a highly integrated set of beautiful furniture.