space
![]() SAMARA Furniture and Its Use Overview SAMARA Furniture and Its Use Doug Wintin The Architect Within Wally Rogers Dining Table and Chairs John Christian The Owner's View Jerry Johnson The Eclectic Mr. Wright Ted and Lynn Osborn Thoughts About FLLW Furniture Designs ______________________ SAMARA Education Series SAMARA Furniture and Its Use Fall 1999 - The Owner's View Introduction Complete Unity and Grammar Integrated Design Coordinated Features Natural Materials Versatility Oriental Quality Cantilever Principle SAMARA Furniture and Its Use Spring 2000 - The Owner's View Television Trays Dining Room Chairs Pole Lights Origami and Organic Chairs Bedside Tables Weed Holder SAMARA Education Series Directory Send your comments, questions and suggestions to Wally Rogers Home / Welcome |
Fall 1999 SAMARA Furniture and Its Use In A Frank Lloyd Wright Designed Home The Owner's View John Christian ![]()
Frank Lloyd Wright once wrote, "Every house worth considering as a work of art must have a grammar of its own."
This is to say that Mr. Wright's designs did not stop with the basic structures of the buildings. For example, every item of furniture in SAMARA was just as important as every brick, wall, window and light fixture.
Thus, in Mr. Wright's eyes, SAMARA is a completely integrated work of art. Furniture, heating, lighting and nearly everything else built in as far as possible to make them a part of the total scheme.
Human scale was followed and above all the house has integrity resulting in a product of "simplicity and unity".
Fall 1999 Introduction | Complete Unity and Grammar | Integrated Design Coordinated Features | Natural Materials | Versatility Oriental Quality | Cantilever Principle Spring 2000 Television Trays | Dining Room Chairs | Pole Lights Origami and Organic Chairs | Bedside Tables | Weed Holder © 1999-2000 John E. Christian Family Memorial Trust LEARNING ASSOCIATES All rights reserved. Created November 2, 1999 Latest Revision June 6, 2000 |